| a_s2044_02_tape10 | Glenn Lee performing Pass Me Not Oh Gentle Savior | Sound | Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Churches
Religion
Christianity
Protestants
Guitarist
Singers
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Glenn Lee performing Pass Me Not Oh Gentle Savior
- Date
- 1994-03-07
- Description
- One audio cassette recording. For more of Lee, see tapes 2 and 4. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
| a_s2044_02_tape02 | Glenn Lee performing sacred steel music with a band at a House of God church | Sound | Guitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Musical groups
Churches
Religion
Christianity
Protestants
Bands (Music)
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Glenn Lee performing sacred steel music with a band at a House of God church
- Date
- 1994-03-07
- Description
- One audio cassette recording. (Duplicate can be found on tape 5.) Recorded at a Church of God church (not during church services)in Perrine, Florida. The band consisted of Glenn Lee (steel guitar), Alvin Lee (bass), Benjamin Beckford (drums), and John Hampton (guitar). Excerpted from a longer recording (see tapes 18-20 in S 2044). The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
| FA940501A | Gospel guitarist Willie Eason playing his lap steel guitar in Florida. | | Stringed instruments
Musical instruments
Bottleneck (Guitar playing)
Steel guitar
Plucked instruments
Guitar
African American entertainers
Folk musicians
African American country musicians
African American musicians
Instrumentalists
Stringed instrument players
Plucked instrument players
African American guitarists
Gospel musicians | /fpc/folklife/Fa940501a.gif |
| FA940501C | Gospel guitarist Willie Eason posing with his lap steel guitar in Florida. | | Stringed instruments
Musical instruments
Steel guitar
Plucked instruments
Guitar
African American entertainers--Portraits
Folk musicians--Portraits
African American country musicians--Portraits
African American musicians--Portraits
Instrumentalists--Portraits
Stringed instrument players--Portraits
Plucked instrument players--Portraits
African American guitarists--Portraits
Gospel musicians--Portraits | /fpc/folklife/Fa940501c.gif |
| FA940501B | Gospel musician Willie Eason playing the piano in Florida. | | Piano--Performance
African American entertainers
Folk musicians
African American country musicians
Gospel musicians
African American musicians
African American guitarists
Pianists
Instrumentalists | /fpc/folklife/Fa940501b.gif |
| Gospel musician Willie Eason playing the steel guitar | Gospel musician Willie Eason playing the steel guitar | Still Image | Singers
African Americans
Gospel (Black)
Gospel musicians
Steel guitars
String instruments
Musical instruments
Singing
Music performance
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
| a_s2044_02_tape11 | Henry Nelson performing Amazing Grace | Sound | Guitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Churches
Religion
Christianity
Protestants
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Henry Nelson performing Amazing Grace
- Date
- 1993-09-05
- Description
- One audio cassette recording. For more of Nelson, see tape 3. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
| Images of the 1995 Florida Folk Festival | Images of the 1995 Florida Folk Festival | Still Image | Choruses
Singers
Whip maker
Rodeo performers
Bands (Music)
Performers
Folklore revival festivals
Folk festivals
Music
Performing arts
String instruments
String bands
Arts, Nicaraguan
Musical instruments
Nicaraguan Americans
Arts, Cuban
Cuban Americans
Awards
African Americans
Conga (dance)
Storytelling
Arts, Jewish
Jewish Americans
Arts, Greek
Greek Americans
Bluegrass musicians
Boatbuilders
Dancers
Musicians
Storytellers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of the 1995 Florida Folk Festival
- Date
- 1995-05-26
- Description
- Two proof sheets with seventy-two black and white images, plus negatives. Images of the Florida Folk Heritage Awards (Sacred Steel guitar player Willie Eason and Everglades skiff Glen Simmons), the Folklife Area (Klezmer musician Bronsztein, gospel group the Versiteers, musician Walker, storyteller Llewellyn, bluegrass group Tru-Blu Grass, Greek-dance group the Dionysus Dancers, and the Colombian Folklore Group, the Dunedin Pipe Band, Seminole storyteller Jumper, Cuban conga dancer Los Rumberos Unidos, the Filipino Community Choir, an whip maker Curly Dekle), and the Amphitheater stage (Bronsztein, Nicaraguan-American Toro Huaco Dance Group, and old-time musician Culbreath.)
- Collection
| a_s2044_02_tape06 | Master of the Sacred Steel album | Sound | Guitarist
Singers
Audiotape recordings
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Religion
Churches
Christianity
Concerts
Community concerts
Protestants
Church services
Prayer
Musicians | /fpc/memory/omeka_images/thumbnails/audio.jpg |
Master of the Sacred Steel album
- Date
- 1994-10-13
- Description
- One audio cassette recording. Master version of the Sacred Steel album, which was released in 1995 by the Florida Folklife Program. The album is divided into two sections: side 1 is instrumentals and concerts; side 2 are church services. For more information on musicians, recording locations, and production credits, see accompanying booklet, which can be found in S 2044, box 1, folder 22. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
| a_s2044_02_tape17 | Recording of 45 rpm by Joe May | Sound | Guitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Sound recordings
Religion
Christianity
Protestants
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Recording of 45 rpm by Joe May
- Date
- 1995-04-28
- Description
- One audio cassette recording. Recording of a copyrighted 45 rpm, produced by Shannon Williams for Nashboro (6813/6812). Copied by Stone in April 1995. No duplicates of this recording will be made due to copyrights issues. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
- Collection
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