104 items found
Keywords: "sacred harp OR shape note" (All words)
Copy of the Drop On Down in Florida album master recordings

Copy of the Drop On Down in Florida album master recordings

Date
1980-12-03
Description
Three reel to reels. These were copies of the master tapes (see T80-123 and T8-124) for the Florida Folklife Program album, Drop on Down in Florida, a double album comprised of field recordings from the North Florida Folklife Project and those made specifically for this album. The album featured African American musical traditions throughout Florida. For more selections by these artists, see the original field recordings.
Collection
David Lee at the 2000 Florida Folk Festival Folklife Performance and Dance Stage

David Lee at the 2000 Florida Folk Festival Folklife Performance and Dance Stage

Date
2000-05-28
Description
One digital audio tape (DAT). Lee led sacred harp singing in tribute to his uncle, Silas Lee.
Collection
David Lee singing school at the 2000 Florida Folk Festival Folklife Performance and Dance Stage

David Lee singing school at the 2000 Florida Folk Festival Folklife Performance and Dance Stage

Date
2000-05-28
Description

Lee, from Hoboken, Ga., conducts a singing school, teaching participants shape note singing and songs from The Sacred Harp. He explains the history of shape note singing and The Sacred Harp in the Okefenokee region, indicating that singers learned to sing through aural transmission, passed down from generation to generation. Lee describes the four shapes (fa, sol, la, mi) and how they correspond to the major scale, followed by a demonstration. After clarifying how singers keep time and stay on beat, he explains how beats can be grouped together in common, compound, or triple time. As a synthesis of the lesson, Lee leads the class in tunes from The Sacred Harp, Revised Cooper Edition. There is digital distortion due to tape corruption on "Florida."

Collection
Folklife Subject: Sacred Harp

Folklife Subject: Sacred Harp

Date
Description
This a capella singing tradition takes its name from the 1844 hymn book, The Sacred Harp and represents the largest surviving branch of traditional American Shape Note Singing. This style of church music utilized four syllables (fa-sol-la-mi) which were represented by four shapes in later hymnals; the triangle, circle, square and diamond. These shaped notes allowed untrained or illiterate church members to participate in the worship service. Frequently the assembled singers would sing the notes first and then follow with the words. In Sacred Harp singing members sit facing inward in a hollow square. The leader will select the tune and beat time with their hand while standing in the center of the square. Any participant is welcome to lead if they so chose. The tradition proved popular with both Anglo and African American churches, especially in rural areas where it is still practiced.
Collection
Folklorist Doris Dyen shape note presentation at the Jackson County Public Library

Folklorist Doris Dyen shape note presentation at the Jackson County Public Library

Date
1983-07-21
Description

One audio cassette. Presentation at the Jackson County Public Library in Marianna, made in connection with the Pursuits and Pastimes exhibit about shape note singing. Dyen, a folklorist with the Florida Folklife Program, leads a conversation on fiddling and square dancing traditions. She discusses "Possum Day," held the first weekend of August; The Sacred Harp; the significance of all-day shape note singings; and fellowship. She also plays a slide-tape presentation about shape note singers in Polk county, which can be found on C81-22. In addition to the discussion, the participants also perform.

Collection
Friday performances at the 1994 Florida Folk Festival (Folklife Area Workshop Stage) (Tape 1)

Friday performances at the 1994 Florida Folk Festival (Folklife Area Workshop Stage) (Tape 1)

Date
1994-05-27
Description
One audio cassette. The Albritton were from Lithia, Florida. Refreshing Showers was #64 in the BF White Sacred Harp book, and Happy Land was # 348 -- Lane's first learned song. Valada was the author of Poetically Just us. She and Tina Flewellyn explained their concept of stoetry -- poetic stories.
Collection
Friday performances at the 1994 Florida Folk Festival (Folklife Area Workshop Stage) (Tape 5)

Friday performances at the 1994 Florida Folk Festival (Folklife Area Workshop Stage) (Tape 5)

Date
1994-05-27
Description
One audio cassette. Chancey was a storyteller from Bartow. Albritton was from Lithia, Florida. Happy Land was the first song Albritton learned. All songs derive from either the BF White Sacred Harp book (Cooper Revision) or the original Sacred harp book (Denson Revision).
Collection
Identifier Title Type Subject Thumbnail
a_s1576_t81-025Copy of the Drop On Down in Florida album master recordingsSoundMusicians
Singers
Guitarist
Choruses
Music performance
Fieldwork
African Americans
Blues (Music)
Blues singers
Guitar music
Diddly bow
Choir singing
Choirs (music)
Gospel (Black)
Gospel songs
Religious music
Musical tradition, sacred
Shape note singing
Audiotape recordings
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FS79235ACopy of the revised "Sacred Harp" by W.M. Cooper - Old Chicora, FloridaSongbooks
Music publications
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FS79235BCopy of the revised "Sacred Harp" by W.M. Cooper - Old Chicora, FloridaSongbooks
Music publications
/fpc/folklife/fs79235b.gif
a_s1576_84_d00-036aDavid Lee at the 2000 Florida Folk Festival Folklife Performance and Dance StageSoundFolk festivals
Florida Folk Festival
Music -- Performance
Religious songs
Shape note singing
Sacred Harp, Cooper Revision
A capella singing
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_84_d00-035bDavid Lee singing school at the 2000 Florida Folk Festival Folklife Performance and Dance StagesoundA capella singing
Florida Folk Festival
Folk festivals
Music -- Performance
Religious songs
Shape note singing
Sacred Harp, Cooper Revision
/fpc/memory/omeka_images/thumbnails/audio.jpg
FP80378Dewey P. Williams leading sacred harp singing at S.E. Alabama & Florida Union Sacred Harp Sing- Campbellton, FloridaSacred music
Musical traditions, African diaspora
Shape note hymnals
Shape note singing
Singing--Religious aspects
4-Shaped-Note singing
Choral singing
Musical traditions, Sacred
African American gospel singers
Gospel music
Gospel (Black)
Music--Performance
Arts (Performing)--Florida--Jackson County--Campbellton
African American conductors (Music)
Choral conductors
African American singers--Florida--Jackson County--Campbellton
African American women--Florida--Jackson County--Campbellton
African American men--Florida--Jackson County--Campbellton
Singing
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fls_sacred_harpFolklife Subject: Sacred HarpInteractive ResourceReligious Music, Gospel, Worship Music/fpc/memory/omeka_images/thumbnails/folklife_subjects.png
a_s1576_11_c83-122Folklorist Doris Dyen shape note presentation at the Jackson County Public LibrarySoundWorkshops (Adult education)
Libraries
Oral education
Shape note singing
Religious songs
Music -- Performance
Sacred Harp, Cooper Revision
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_32_c94-049Friday performances at the 1994 Florida Folk Festival (Folklife Area Workshop Stage) (Tape 1)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Shape note singing
A capella singers
A capella singing
Musical tradition, sacred
Religious songs
Poetic language
Oral poetry
African Americans
Poetry
Storytelling
Oral narratives
Singers
Shape note singers
Storytellers
Authors
Poets
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1576_33_c94-053Friday performances at the 1994 Florida Folk Festival (Folklife Area Workshop Stage) (Tape 5)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Oral performance
Storytelling
A capella singers
A capella singing
Oral narratives
Tales
Shape note singing
Musical tradition, sacred
Personal experience narratives
Religious songs
Life histories
Singing
Storytellers
Shape note singers
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg